Vitomir Kelava – Holy Family (after Raphael)
1981 / pastel on paper / 65×49 cm
About the author:
In the early post-academic years, the distinctive postmodern climate of the early 1980s is clearly evident in his personal explorations focused on traditional painting poetics. This is followed by a metaphysical period, then a cycle with the theme of Bosnian stećak tombstones where he reduces his visual expression to an “iconic sign.” At the beginning of the 1990s, he adopts the expressionist poetics. In the latest period of his painting, a radical shift occurs – he is attracted to archaic “pre-cosmogonic” syncretism. At the millennium transition, he begins a new cycle with small format paintings made from two parts. In his work, he uses oil paint and non-painting materials – twine, pieces of fabric, and sand. This is the “Untitled” cycle. He also paints female nudes using the aforementioned materials. The last cycle, “Zone of Silence,” includes painting-objects – stone applied onto laminated canvas, i.e., onto a colored base that emphasizes the individuality of the stone.




